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It is included in Adobe Creative Cloud along with other creative tools like Adobe Photoshop , Illustrator , and many more. Adobe developed this software to make video editing easier. You can install it independently from Adobe Creative Cloud to your Windows. With the easiest timeline and user interface of Adobe Premiere Pro, you can produce high-quality videos. It has been a popular video editing software for many years.
With all the templates, presets, transitions, effects, and plugins, users find this tool handy. Adobe Premiere Pro is designed for professional video production. So, there is no way to deny its ultimate necessity for content creators. Adobe Premiere Pro Free version is the same as the paid ones. But users need the crack version to use it for free. So, in this article, we will discuss the extensive features of the Adobe Premiere Pro free version.
You will understand why you should use this great software for your creative works. Here, you will also get the free Premiere Pro CC download link. It is completely safe and contains all the advanced features.
From the below links, you can read the ultimate review of other products of Adobe Creative Cloud too. Experts made it more accessible with all the unique features of the original one. To make high-quality and engaging video content, this is the ultimate tool for anyone. Beautiful effects, text, animations, transitions, and tons of plugins make it even more powerful.
The latest upgrade of Adobe Premiere Pro contains color grading features that help to use unique colors in the footage. Making info-graphics video also possible with Adobe Premiere Pro free.
Users of this software can make their design or video in the Adobe After Effect later they can edit them smoothly in Premiere Pro. As with any Page Mix Audio For track-based audio adjustments, the Audio Mixer faithfully emulates a full-featured audio mixing board, complete with fade and pan sliders, sends, and effects. Adobe Premiere Pro saves your adjustments in real time, on the fly. With the proper sound card, you can record audio through the sound mixer, or mix audio for 5. Page 22 As you rearrange panels, the other panels resize automatically to fit the window.
You can use floating windows to create a workspace more like those in previous versions of Adobe applications, or to place panels on multiple monitors. Application window B.
Grouped panels C. Panels To display menus In addition to choosing from the menus at the top of your screen, you can choose from context menus, which display commands relative to the active tool or selected item. When you select a tool, the pointer generally changes shape according to your selection.
For example, when you select the Razor tool and position the pointer over a clip in the Timeline panel, the icon changes to a razor. As you drag a panel over a drop zone, the zone becomes highlighted to provide a visual reference for the drop. Page 26 You can open a panel in a floating window.
You can add panels to the floating window or otherwise modify it, as you do the application window. You can use floating windows to create a workspace like those in earlier versions of Adobe applications, or to make use of a secondary monitor. For example, you may prefer to lower the brightness when working in a darkened editing suite or when making color corrections.
Once saved, new and edited workspaces appear in the Workspace menu on the local computer. If a project with a custom workspace is opened on a system other than the one on which it was created, the application looks for a workspace with a matching name. Page Project Basics Project basics About projects A project is a single Adobe Premiere Pro file that contains sequences and references to the assets clips, still images, and audio files associated with the sequences.
A project stores information about sequences and assets, such as settings for capture, transitions, and audio mixing. These contain the correct project settings for the most typical project types. When creating a new project, you can either select from among the standard presets or customize a group of project settings and save the customized group as a custom preset. You can also choose whether to disable video output when Adobe Premiere Pro is in the background, and whether to enable aspect ratio correction on external devices.
It assumes a rate of 30 frames per second and does not drop frame numbers. Page 33 Uses still images efficiently in sequences. Deselect this option if sequences exhibit playback problems when displaying still images. Page 34 Select the file and choose Select.
Note: Do not delete source files while you are using them as clips in an Adobe Premiere Pro project unless they were captured using device control and you plan to recapture them. After you deliver the final movie, you can delete source files.
Once they are set, you cannot change them for that project. You can, however, use assets created with different aspect ratios in that project.
In Adobe Premiere Pro, you can implement either technique by using Motion effect properties such as Position and Scale. Page 38 For example, if a square-pixel asset generated by a graphics or animation program looks distorted in Adobe Premiere Pro, you can correct its pixel aspect ratio to make it look right.
Page 39 For example, suppose you generate a square-pixel asset at x and import it into an Adobe Premiere Pro DV project with an aspect ratio of x In this case, the asset will be wider than the screen when it is conformed. Page P Projects About 24P footage Because support for 24P footage is built into Adobe Premiere Pro, you need to make only minor preparations to capture, import, and export 24P projects.
Adobe Premiere Pro includes project presets for 24P; after you create a 24P project, you import and capture your footage as usual.
Page 41 Pro recognizes 24P modes, you can perform your capture and edits within the program. Page Improving Performance About scratch disks When you edit a project, Adobe Premiere Pro uses disk space to store files required by your project, such as captured video and audio, conformed audio, and preview files that you create manually or that are created automatically when exporting to certain formats.
Page Correcting Mistakes To correct mistakes In case you change your mind or make a mistake, Adobe Premiere Pro provides several ways to undo your work. You can undo only those actions that alter the video program; for example, you can undo an edit, but you cannot undo scrolling in a window. Page The Basics Of Bridge Bridge to organize, browse, and locate the assets you need to create content for print, the web, television, DVD, film, and mobile devices.
In Full mode, the Bridge window can move behind application windows. This floating window is useful because it is always visible and usable as you work in different applications. Page 49 You can save the current Bridge layout that is, the work area configuration as a workspace and reuse it later. By saving Bridge in various configurations, you can work in and quickly switch between different layouts of the work area.
For instance, you might use one workspace to sort new photos and another to work with Adobe InDesign files. Page 50 Look In menu. Sets the language used in the Bridge interface. Places the two cache files created for each folder you view in a centralized folder. A Use A Centralized Cache File centralized cache is generally easier to use than a distributed cache. Page 52 Show Folders to display folders as well as individual files. You can create and manage revisions to files kept in Version Cue projects.
Version Cue is also a convenient environment for collaborative file management in workgroups. Then, enter a name when the folder appears in the content area.
Page 55 Optional Select Include All Subfolders to expand the search to any subfolders in the source folder. Page 56 The Tools menu contains submenus for various commands available in the different Adobe applications. XMP is built on XML, and in most cases the information is stored in the file so that it cannot be lost. If it is not possible to store the information in the file itself, XMP metadata is stored in a separate file called a sidecar file. Page 58 Displays settings applied by the Camera Raw plug-in.
Camera Raw Keeps a log of changes made to images with Photoshop. Version Cue Note: Depending on the applications you are using, custom panels for various properties may appear here as well. Page 59 Displays read-only information about the camera and settings used to take the photo, such as make, Camera Data 1 model, shutter speed, and f-stop. Lists read-only file information about the photo, including pixel dimensions and resolution.
Page 60 You can modify the metadata in the File Info dialog box and save it as a template for use with other files. This creates a file without metadata from any other source. Page 61 Bridge, select the keyword and then choose Persistent from the context menu. In the design process, you need the flexibility to try different images before deciding which one you want.
In the text box at the top of the screen, type the word or phrase that describes the subject of the photos you want to search for. When you purchase photos from Adobe Stock Photos, your credit card will be billed in the supported currency.
When you find the photos you want to buy, put them in your shopping cart. When you finish browsing, you can check out and have your images automatically downloaded to your computer. You are prompted to enter your billing and account information.
You are prompted to enter your billing information. When you log in with your e-mail address and password, you can work with your account in several ways: After you complete the registration process, modify your account information anytime by Manage your profile clicking the Your Account link in the navigation bar. To confirm your changes, click Save. Page 69 In the Your Order History page, click the order number highlighted in blue of the photo you want to download again.
In the Order Detail page, click the arrow under Download. The photo is downloaded. Page 70 Country menu. The currency displayed next to the Billing Country menu may not be the native currency of that country not all currencies are supported. Your credit card is billed in the supported currency.
Page Collecting Assets All digital camcorders and decks record video in digital formats, but it must be captured transferred to disk before Adobe Premiere Pro can use it in a project. Page 72 File size limits Adobe Premiere Pro does not limit the size of files.
However, your capture card, operating system, or hard disk may set such a limit. Check your capture card and hard disk documentation for information on support of large files.
Page 73 User Guide Supported file formats for import Adobe Premiere Pro can import a number of video and audio formats. It also supports bit color depth, necessary for editing standard and high-definition footage. File format support is provided by plug-in software modules. Most of these software modules are installed automat- ically with Adobe Premiere Pro.
Device control lets you precisely control devices, such as decks and camcorders, with capture and batch capture controls. Page 76 User Guide In the Device Control section of the Settings pane, specify the following options as needed: Indicates how much before the In point Adobe Premiere Pro starts playing the tape before capture.
The Preroll Time appropriate value varies depending on the device you are using. Plug-in software codecs are available for other types. Hardware codecs are built into some capture cards.
Page 78 To capture without device control If you do not have a device that can be controlled by Adobe Premiere Pro, you can capture video manually. You have to operate both the playback device controls and the Capture panel controls in Adobe Premiere Pro. On slower systems, Adobe Premiere Pro may lower the quality of the capture preview in order to ensure that sufficient CPU resources are available for full-quality capture.
Because of the differences among brands of cards, specific options and supported formats can vary. To help determine the effects of your compression settings on the data rate of the captured video, use the Adobe Premiere Pro Data Rate graph. Page 82 A. Record Enable button for track B. Adobe Premiere Pro prepares the sequence for recording but moves the playhead only when you press the Play button.
Page Batch Capturing Batch Capture. If you organized offline clips into bins, you can batch capture an entire bin by selecting the bin. Adobe Premiere Pro can capture video in the background so that you can perform other tasks during capture. When you start either a manual capture or batch capturing in Adobe Premiere Pro, you can minimize the Adobe Premiere Pro application or switch to another application without stopping capture.
Page 84 In the Capture panel, make sure that your device is online, as indicated above the preview. Insert a tape into your device.
Adobe Premiere Pro prompts you to name the tape. Be sure not to give any two tapes you log the same name. Adobe Premiere Pro uses the current data in the Setup and Clip Data sections as defaults for subsequent logged clips. If you want to log a series of clips into the same bin with similar logging data, save work by specifying clip data before you start logging the series. Page 87 When you import a batch list, the order of fields in the list must be as follows: tape name, In point, Out point, clip name, and comment.
Page 88 For Tape Name, type the name of the tape containing the source video for the offline clip. For File Name, type the name of the file as you want it to appear on disk when you capture it using Adobe Premiere Pro. If you review a clip in the camera, be sure to rewind the tape back into that 5-second margin before recording again. Page 91 As you capture and edit video, you enter timecode values many times.
For example, you enter timecode values to set In and Out points for clips and to navigate the Timeline panel. Adobe Premiere Pro provides many ways to enter timecode. Page 93 Logging pane of the Capture panel. Adobe Premiere Pro supports bit as well as 8-bit Photoshop files. You can control how layered Photoshop files are imported. Empty transparent areas of nonflat- tened Photoshop files are transparent when imported into Adobe Premiere Pro, because the transparency is stored as an alpha channel.
Page 95 Converting layers into a sequence makes it easy to set up graphics using layers in Photoshop or Illustrator. When Adobe Premiere Pro converts layers to a sequence, the sequence is imported into the Project panel as a bin; each layer in the file becomes an individual clip in the bin. Scaling an image larger than its original size can cause loss of sharpness.
Page 97 PLB is a file apart from any project file. A library converts to a bin when you import it into an Adobe Premiere Pro project. The Project panel lists detailed information about each asset in your project. You can view and sort assets in either List view or Icon view. List view displays additional information about each asset.
Page 99 Rearrange columns by dragging them horizontally in the Project panel. For example, you can change the names of columns you added, but not the names of columns built into Adobe Premiere Pro.
Page Organizing Assets Location of the file on disk, expressed as a folder path. Capture Settings Whether an asset is online or offline. If a clip is offline, this also indicates why. You can move bins into other bins to nest them. In Adobe Premiere Pro 2. Page Working With Assets About clip properties Adobe Premiere Pro includes clip analysis tools that you can use to evaluate a file in any supported format stored inside or outside a project.
For example, after producing a video clip to be streamed from a web server, you can use clip analysis tools to determine whether a clip you exported has an appropriate data rate for Internet distribution.
Page To change the frame rate of a file You can use the Interpret Footage command to change the frame rate that Adobe Premiere Pro assumes for a clip. Changing the frame rate changes the original duration proportionally. For example, if you set a second, fps clip to 48 fps, it becomes half as long, with a new duration of 5 seconds. You can also close the current clip by clicking the Close button in the Source Monitor tab.
When no Out point is set, the Source Monitor uses the ending time of the clip to calculate duration, and the Program Monitor uses the ending time of the last clip in the sequence to calculate duration. You can change the magnification setting for each view to see the video in more detail, or to increase the size of the pasteboard area around the image to adjust motion effects more easily, for example.
Page Editing Overview 6. Preview the sequence. As you assemble a sequence, you can preview it in the Program Monitor. Adobe Premiere Pro can play back the assembled sequence in real time as you build it, but in some cases you may need to render the sequence for better playback.
Adobe periodically provides updates to software and Help. Multiple audio tracks are used to mix audio. You can specify the type of audio channels supported by each audio track and decide how they are sent to a Master audio track.
Choose Show Clip Keyframes, and then choose the effect containing the keyframes you want to view. Deleting a track removes all clips in the track but does not affect source clips listed in the Project panel. The range or group acts as a single clip; you can trim its outer edges the In point of the first clip and the Out point of the last clip , but not the interior edges the In and Out points of each clip in the selected range or group.
Overlay is the default method when dragging a clip to a sequence or when rearranging clips in a sequence. Take Video Includes audio only in the sequence. Take Audio Note: Specifying a source track affects a clip only while adding it to a sequence. You can drag video clips to any video track; however, you can drag audio clips only to a compatible audio track.
Page Drag a clip from the Project panel or Source Monitor into the blank space above the topmost video track for a video or linked clip or below the lowest audio track for an audio or linked clip. Adobe Premiere Pro adds an audio track, a video track, or both, depending on the content of the source clip. A four-point edit is useful when the starting and ending frames in both the source clip and sequence are critical.
If the marked source and sequence durations are different, Adobe Premiere Pro alerts you to the discrepancy and provides alternatives to resolve it. This option Apply Default Video Transition is available only when the Placement option is set to Sequentially, and has no effect when the Clip Overlap option is set to zero. The same number of frames added to the clip are trimmed from the adjacent clip.
Page In and Out points later in the clip. Adobe Premiere Pro updates the source In and Out points for the clip, displaying the result in the Program Monitor and maintaining the clip and sequence duration. Page So naturally, a change in speed results in a corresponding change in duration. Each field contains half the number of horizontal lines in the frame; the upper field or Field 1 contains all of the odd-numbered lines, and the lower field or Field 2 contains all of the even-numbered lines.
If you specified No Fields, Adobe Premiere Pro keeps the upper field unless you selected Reverse Field Dominance, in which case it keeps the lower field. This option is useful when freezing a frame in the clip. The toolbox contains selection tools that can handle various selection tasks. To enable or disable a clip You can disable a clip while you try out a different editing idea, or to shorten processing time when working on a complex projects.
When you move a clip with snap on, it automatically aligns with, or snaps to the edge of another clip, to a marker, to the start and end of the time ruler, or to the current-time indicator. Sequences that consist of cuts between single tracks of video and audio render quickly, whereas sequences that include layered video In the Timeline panel, rendered areas are marked with a green line.
Page When you render previews, Adobe Premiere Pro creates files on your hard disk. These preview files contain the results of any effects that Adobe Premiere Pro processed during a preview. If you preview the same work area more than once without making any changes, Adobe Premiere Pro instantly plays back the preview files instead of processing the sequence again. Adobe Premiere Pro also provides DVD markers that you can add to a sequence to specify scenes, or a menu structure for sequences that you export to DVD.
Double-click the Set Unnumbered Marker button to open the Marker dialog box as you set it. Chapters divide a movie into segments and allow viewers to go to specific points in a movie. When setting markers for use as chapter links, make sure to space them at least 15 frames apart, or by the amount required by your authoring software. Page [V] and [A] labels.
Even so, Adobe Premiere Pro keeps track of the link. If you relink the clips, they indicate whether they have been moved out of sync, and by how much. Repeat for the other clip. Page Multiple Sequences To use multiple sequences A single project can contain multiple sequences. All the sequences in a project share the same timebase, which defines how Adobe Premiere Pro calculates time, and which cannot be changed after you create the project.
Changing the content of the source sequence is reflected in the content of nested instances. To lengthen the nested instances and reveal material added to the source sequence, use standard trimming methods. Page Editing A Multi-Camera Sequence To easily synchronize footage from all cameras, make sure each camera records a sync point using a clapper slate or other technique. Keep each camera recording to maintain synchronization. After you capture the footage in Adobe Premiere Pro, use the following workflow to edit the footage For a tutorial on multi-camera editing, go to Resource Center on the Adobe website.
Camera 1 B. Camera 2 C. Recorded sequence preview D. Camera 3 E. Camera 4 F. Record button The Multi-Camera Monitor includes the standard playback and transport controls and keyboard shortcuts. The Play Take care not to overwrite adjacent clips if you have multiple clips on the same track. Select the clips you want to synchronize. The 1, 2, 3, and 4 keys correspond to each camera.
When you are done recording, click the Stop button or the Record button to get out of recording mode. You can then use the playback controls to preview your sequence without recording over it. To edit an image file in Photoshop In an Adobe Premiere Pro project, you can open an image file in any format that Adobe Photoshop supports. Select a clip in either the Project panel or Timeline panel. If you want to work with all clips or a single sequence from an Adobe Premiere Pro project, use the Import command to import the project into After Effects.
Note: You can copy multiple layers into Adobe Premiere Pro. Each layer is placed on a separate track. The order in which Adobe Premiere Pro places the layers depends on the order in which you selected them in After Effects; Creating a dynamic link is as simple as importing any other type of asset, and dynamically linked compositions appear with unique icons and label colors to help you identify them.
When you add a linked composition that contains both footage and audio layers to a sequence, Adobe Premiere Pro inserts linked video and audio clips in the timeline. Page Transition Overview A transition moves a scene from one shot to the next. Generally, you use a simple cut to move from shot to shot, but in some cases you might want to transition between shots by phasing out one and phasing in another.
Adobe Premiere Pro provides several transitions that you can apply to your sequence. For this reason, transitions work best with handles—the extra frames beyond the In and Out points set for the clip.
Whatever is below the transition in the Timeline panel appears in the transparent portion of the transition the portion of the effect that would display frames from the adjacent clip in a two-sided transition. You can take these guides with you wherever you go, and read them at your own pace. These PDF guides are mostly aimed at beginners, but some will be more detailed than others. Still need the program? Get Premiere Pro here. Even an experienced editor can find some value in these!
View all Premiere Pro articles. Special thanks to Shotstash for the image used in the cover photo. At a whopping pages, you can expect this guide to give you a detailed overview of literally everything you can do with Premiere Pro.
A lot of the the tips in this PDF are going to be straightforward, or functions you already know. Most importantly, this will give you a solid definition for nearly every word a fellow video editor might use on a daily basis. This is absolutely perfect and more digestible than the official user guide for a brand new user.
This basic guide is written by a user of Adobe Premiere Pro CC, so it only touches on the things that a user will come up against. This trims the fat from other intro guides, while still being detailed about the important things. This is the perfect Premiere Pro tutorial PDF for someone who is moving from a simpler editor like iMovie, into the more advanced world of Premiere Pro.
In other words, having some video editing knowledge and the desire to do more with your editor will make this PDF more valuable! The software itself has changed a bit but the actions you take will be the same. This tutorial PDF is packed with useful tips, in addition to step-by-step instructions with example clips!
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